Dan Snaith’s first album, Start Breaking My Heart (2000), is usually categorized as folktronica or intelligent dance music (IDM), in the vein of Boards of Canada and Four Tet. Samples are precisely calibrated and meticulously arranged in exact sequences. It is an appropriate sound given Snaith’s academic background: a B.Sc. from Toronto and a Ph.D. from Imperial College, both in mathematics; his father and sister are also mathematicians. In contrast, his sophomore album, Up in Flames (2003), is a messy, vibrant, wall-of-sound that wears its bliss on its sleeve and smacks of instant gratification. It is shocking to discover that both albums were similarly composed on a computer; Snaith cooks up a delightful smorgasbord of echoing vocals, punishing drums, animal sounds, organ blasts, and strummed guitar. Serving suggestion: enjoy with headphones on a sunny, carefree day. Continue reading
Monthly Archives: January 2012
In its February 2012 issue, MOJO has enclosed a CD of covers by different bands of New Order’s Power, Corruption, & Lies (1983). The timing is bittersweet, as the tension between Peter Hook (who has been touring Joy Division’s back catalogue) and the two other original members of the band, Bernard Sumner and Stephen Morris, has recently escalated in public spheres. The chance of a full reunion is rather slim.